Bir kaybın yasını tutan Pınar'ın onunla barışma ve iyileşme yolculuğunu anlatan
bir drama.
A drama that tells the journey of Pınar, who is grieving a loss, and her
reconciliation and healing.
Director Statement
Trying to hide the “idea of death”, which is deep and obscure, that humanity
carries inside, by the whole modern world has rendered humankind's own idea of
finitude invisible.
Because "death" is the visible form of the idea of finitude.
“Death” is suppressed as culture seeks to be perfect.
This goes beyond the human idea of finitude.
But the more you suppress something, the more pressure you face.
Pınar's story is also based on suppressing death. She did not accept the death
of her first lover Ezgi and constantly recalled her in the images she created in
her own world. This pressure, which she refuses to die, returns to her as a
great pain.
However, this pain ends with the acceptance of death.
I wanted to keep a few concepts together with this movie.
Nongenderification
Facing to Death
Memory and Poetry
23. İzmir Kısa Film Festivali, Panorama Bölümü, Gösterim Seçkisi. 2022
